Space Jam: A New Legacy
6.727
3989 Votes

When LeBron and his young son Dom are trapped in a digital space by a rogue A.I., LeBron must get them home safe by leading Bugs, Lola Bunny and the whole gang of notoriously undisciplined Looney Tunes to victory over the A.I.'s digitized champions on the court. It's Tunes versus Goons in the highest-stakes challenge of his life.

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Images (Posters)
Images (Backdrops)
Cast
LeBron James
LeBron James
Don Cheadle
Al G. Rhythm
Cedric Joe
Dominic 'Dom' James
Jeff Bergman
Bugs Bunny / Sylvester / Yosemite Sam / Fred Flintstone (voice)
Gabriel Iglesias
Speedy Gonzales (voice)
Zendaya
Lola Bunny (voice)
Eric Bauza
Daffy Duck / Porky Pig / Foghorn Leghorn / Elmer Fudd (voice)
Candi Milo
Granny (voice)
Bob Bergen
Tweety Bird (voice)
Fred Tatasciore
Taz (voice)
Anthony Davis
Anthony Davis / The Brow
Damian Lillard
Damian Lillard / Chronos
Klay Thompson
Klay Thompson / Wet-Fire
Nneka Ogwumike
Nneka Ogwumike / Arachnneka
Diana Taurasi
Diana Taurasi / White Mamba
Sonequa Martin-Green
Kamiyah James
Ceyair J Wright
Darius James
Xosha Roquemore
Shanice James
Stephen Kankole
Young LeBron (13 Years)
Jalyn Hall
Young Malik (13 Years)
Wood Harris
Coach C
Jordan Thomas
Young Boy
Sue Bird
Sue Bird
Draymond Green
Draymond Green
A’ja Wilson
A’ja Wilson
Randy Mims
Barbershop Customer
Gerald 'Slink' Johnson
Warner Bros. Security Guard
Sarah Silverman
Warner Bros. Executive
Steven Yeun
Warner Bros. Executive
Ernie Johnson
Game Announcer
Lil Rel Howery
Game Announcer
Michael B. Jordan
Michael B. Jordan
Rosario Dawson
Wonder Woman (voice)
Justin Roiland
Rick Sanchez / Morty Smith (voice)
Kimberly Brooks
Additional Voices (voice)
Skyler Bible
MoCap Performer (uncredited)
Details Of Movie
Music
Photos Salvatore Totino
Revenue 163692228
Location United States of America
Producer Troy Nethercott, Ryan Coogler, Maverick Carter, LeBron James, Duncan Henderson
Director Malcolm D. Lee
User Reviews
Filipe Manuel Neto October 25 2022 12:14:27 PM

**An excuse for yet another CGI animated film.** I think this movie shouldn't have been made the way it was made. The secret to the success of the first “Space Jam” was its originality and the way it combined the drawings and a real basketball star in a movie where he could play a little with himself. Here, what we have disappoints anyone and only serves to raise money for the public without delivering a product that truly meets expectations. The film's biggest problem is obviously its script: it all starts when LeBron James, a basketball player, turns down a contract with Warner Bros. The contract was crafted by a computer algorithm that has somehow taken on a life and will of its own, and is determined to make itself noticed, even in the worst ways. By imprisoning the sportsman and his son in a digital universe, things get complicated. James will have to play basketball against the live algorithm, and he will ask the only one who might possibly have a good idea for help: Bugs Bunny. It is, as we can see, a basic script, very poorly written and poorly designed, which is not able to properly sustain the film. I don't want to be mean to LeBron James. He's not an actor, he's not expected to do a great job as an actor. I think he did a lot with what he got, which was pretty bad, but I also think he's not famous enough to support the movie the way Air Jordan did before. Maybe he's famous in the USA! Outside the US, no one knows who he is. Don Cheadle, thus, ends up being the most prominent actor in the film, even if in a Machiavellian and tiresome character. Cedric Joe does what he can, but his character is terrible, and it was very poorly thought out. Self-centered, selfish, vain and resentful of his father, the kid is nasty almost until the end. Technically, the film bets everything on the CGI of great visual effect and fails completely: if there's one thing that doesn't work well, it is the stylized and tiresome look of this film. I've acquired a special dislike for the computerized versions of Bugs and the rest of Looney Tunes. They are terrible and ugly. There are things that shouldn't be modernized, so they don't lose their essence! In addition, the film has tiresome cinematography and is excessively long, with no script or material to fully justify it. I liked, however, the many tributes that are made to the films of the past of the Warner studio: we have everything from “King Kong” to “Casablanca”, with the passage guaranteed by the “Harry Potter” franchise to “Matrix” and “Mad Max”. It was the part of the movie that I found most sympathetic and honorable, but I still don't recommend this movie.